Russell Brand and Noel Fielding spent an entire Amnesty sketch arguing about how to sing Red Rum out of Brand’s anus.
They start by treating some random object like a torture weapon, then Brand casually mentions he used to smuggle drugs so he doesn’t mind pain. From there it collapses into pure nonsense: his brother is trapped inside him, wearing zinc mittens that he thinks are hooves, convinced he’s the racehorse Red Rum, and suffering from Stockholm syndrome. Noel offers to ride him out of Brand’s anus to freedom. Brand suggests singing a melody into his abdomen to sedate him, then insists only a hit single will coax the brother out — an album track won’t do it. They keep going until the brother “comes out,” gets confused by modern life like a Star Trek episode, and slips back in through a cat flap. The whole thing ends with them deciding they’ve done enough for the charity.
They start by treating some random object like a torture weapon, then Brand casually mentions he used to smuggle drugs so he doesn’t mind pain. From there it collapses into pure nonsense: his brother is trapped inside him, wearing zinc mittens that he thinks are hooves, convinced he’s the racehorse Red Rum, and suffering from Stockholm syndrome. Noel offers to ride him out of Brand’s anus to freedom. Brand suggests singing a melody into his abdomen to sedate him, then insists only a hit single will coax the brother out — an album track won’t do it. They keep going until the brother “comes out,” gets confused by modern life like a Star Trek episode, and slips back in through a cat flap. The whole thing ends with them deciding they’ve done enough for the charity.
3:35
ONE MINUTE, TOMMY DEVITO IS LAUGHING AND TELLING STORIES… THE NEXT, HE HAS EVERYONE WONDERING IF THEY'VE SAID SOMETHING TERRIBLY WRONG
In Martin Scorsese's 1990 classic Goodfellas, Henry Hill makes the mistake of calling Tommy DeVito a "funny guy." What follows is one of the most unforgettable scenes in gangster movie history.
Played brilliantly by Joe Pesci, Tommy instantly switches from a cheerful storyteller to an intimidating presence, repeatedly demanding to know exactly what Henry means by "funny."
The genius of the scene is how quickly the atmosphere changes. Everyone is laughing until suddenly nobody knows whether it's safe to laugh anymore.
And just when the tension reaches its peak, Tommy reveals he was only messing with Henry.
"I almost had him."
Joe Pesci's performance earned him an Academy Award, and this scene remains a perfect example of how timing, delivery, and pure acting talent can turn an ordinary conversation into cinematic gold.
Is this the greatest intimidation scene in gangster movie history?View quoted post on X
