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Itโs a bigger honour than many countriesโ highest civilian honour.
Thank you @ARanganathan72 ๐๐๐ป
Thank you @ARanganathan72 ๐๐๐ป
0:35
maithun
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๐จ ๐๐ก๐ข๐ง๐'๐ฌ ๐๐ฅ๐ฅ๐๐ ๐๐ ๐๐ฉ๐ฒ ๐๐ฅ๐ข๐๐ ๐๐ฎ๐๐ง๐ ๐๐ฅ๐๐ข๐ฆ๐ฌ ๐๐ฏ๐ข๐๐ข๐ ๐๐๐ ๐๐๐ง๐ฌ๐๐ง ๐๐ฎ๐๐ง๐ ๐๐ฌ ๐๐ข๐ฆ๐ฌ๐๐ฅ๐ ๐๐ก๐ข๐ง๐'๐ฌ ๐๐ฉ๐ฒ ๐๐ง ๐๐ฆ๐๐ซ๐ข๐๐View quoted post on X
The number of users the makers seem to have hired to troll and abuse anyone giving an honest review is probably whatโs pushing the movieโs budget to โน4,000 crore. Otherwise, the film hardly looks like a โน100-crore production.
A simple observation that the film fails to evoke any emotional connect or sense of devotion seems to have deeply hurt the makers, who appear to have tasked their PR agency with deploying users to target and abuse those expressing an honest opinion.
Abusing critics wonโt change the reality. No amount of PR can manufacture the emotional connect that the film fails to deliver.
A simple observation that the film fails to evoke any emotional connect or sense of devotion seems to have deeply hurt the makers, who appear to have tasked their PR agency with deploying users to target and abuse those expressing an honest opinion.
Abusing critics wonโt change the reality. No amount of PR can manufacture the emotional connect that the film fails to deliver.
Looks like the makers have some really ill intentions.
Why would they go out of their way to portray Ravana as a hero?
Why would they go out of their way to portray Ravana as a hero?
No. In Valmiki Ramayana (Uttara Kanda), Ravana kills Vidyujjihva (Surpanakhaโs husband, a Kalakeya) during his conquest of the Kalakeyas. Surpanakha later confronts him for widowing her; Ravana claims it happened in the heat of battle without recognizing him. No maid or โprotecting a womanโ motive appears. The film scene is an adaptation.View quoted post on X
Sources suggest that in Part 2 of Namit Malhotraโs Ramayana, Ravan will be shown reading Karl Marxโs Das Kapital.
After glorifying and justifying Ravanโs actions, the makers now seem determined to give him a complete image makeover, portraying him as a king who would go to any lengths to protect his praja, while also establishing him as a strong feminist.
After glorifying and justifying Ravanโs actions, the makers now seem determined to give him a complete image makeover, portraying him as a king who would go to any lengths to protect his praja, while also establishing him as a strong feminist.
