RED Digital Cinema

Returning to Hudson Bay, BAFTA and Emmy Award-winning wildlife filmmaker Bertie Gregory follows a wolf pack he’s spent seven years documenting, led by a white wolf named Kona. Wolves Up Close with Bertie Gregory offers an intimate look at these remarkable animals and their vital role in the ecosystem, challenging long-held misconceptions about wolves. #ShotonRED

Premiering tonight at 9/8c on National Geographic and streaming on Disney+ and Hulu.

laughingplace.com/entertainment/…

Eight years in the making. A whole new chapter of The Biggest Little Farm.

From the team behind the Oscar-shortlisted documentary comes an all-new 12-part series exploring the extraordinary wildlife, challenges and beauty of life on the farm.

Featuring cinematography by John Chester, Sara Matasick and Andre Cronje, with scenes captured on RED.

A shoutout to the team behind the lens, including camera assistants Emmet Arries, Hunter Ramaekers and Lia Nydes, field producer Ali Galante and field associate producer Laura Huepenbecker.

The Biggest Little Farm Series premieres Nov 8 on YouTube.

TRAILER ► youtube.com/watch?v=dpUIpu…

The RED team is headed to the Camerimage International Film Festival, November 7–14, for a packed week in Toruń.

Celebrating the art and craft of cinematography with filmmaker gatherings, hands-on workshops, and the official Nikon + RED Camerimage party. The V-RAPTOR [X] will be on display at the Camerimage Market. #Camerimage2026

camerimage.pl/en/camerimage-…

In SYDNEY CASH MAKES TOO MUCH ART, director Ivan Cash turns the camera on his 80-year-old father to explore creativity, family, and legacy. Scenes shot on RED KOMODO by cinematographer Jamal Solomon.

Go behind the edit with Post Magazine to discover how this deeply personal documentary came together.
#ShotonRED

postmagazine.com/press-center/e…

For The Social Reckoning, cinematographer Jeff Cronenweth, ASC reunites with writer/director Aaron Sorkin to create a new visual identity for the story, captured on RED V-RAPTOR [X] and V-RAPTOR XL [X].

In a new interview with Definition Magazine, Cronenweth discusses his approach to keeping the camera moving through Sorkin’s dialogue-heavy scenes, the challenges of lighting complex environments and why RED was his camera of choice.

“I love the way it mitigates colour and I love the tools built into it. It was an obvious choice for me.”

READ ► definitionmagazine.com/features/the-s…