Foundry

We spoke with Nitin Prakash Vade, CG Supervisor at DNEG, to hear more about their team’s work on Season 2 of The Last of Us.

He shared how they used Mari to reflect the decay of the apocalypse and bring realism to the series.

Read the full article here for a VFX breakdown of the Emmy-winning show: foundry.com/insights/film-…

Win or Lose is Pixar Animation Studio’s first venture into episodic television, with each episode showcasing a unique visual style. Find out how the team dealt with the huge number of individual shots, creating a cohesive lighting aesthetic while maintaining a distinct look for each individual episode.

Read the full interview here: hubs.la/Q03Yhv4Y0

We’re not done talking about the latest Mari updates!

Take a tour through the new features, including Multi-Paint, faster Texture Transfer, a revamped Image Manager, plus more content from Texturing XYZ and brushes from industry artist, Bradford deCaussin.

Check it out here: hubs.la/Q03Y7ptT0

📣Add another dimension to your shots with native Gaussian Splats in Nuke. Try them out in the 17.0 open beta, now.

Download the 17.0 beta with Splats, BigCat for large-scale CopyCat training and much more here: campaigns.foundry.com/products/nuke/…

Unsupervised. Unscripted. Unmissable.

Join three VFX Supervisors talk about their work on Sinners, one of the biggest films of 2025.

youtube.com/watch?v=o4GqPA…