Type Network

PD Monolina by Petra Dočekalová is a versatile, playful monolinear script based on her own manuscript. It captures natural flow and expressiveness while looking timeless, and its wild character stands out especially at larger sizes.

👉 License PD Monolina at typenetwork.com

Christopher Slye designed Elmhurst in 1994 as his first typeface, choosing a text face as the best way to learn the structures of type design. Slye recalls that it offered “a complete learning experience.” The result is a unique, personal design that’s familiar, usable, and versatile.

👉 License Elmhurst at typenetwork.com

Salford Sans, designed by David Williams, Lewis McGuffie, and Elsa Baussier, updates the traditional British condensed sans serif for headlines, editorial, and display work that needs to be serious, international, and communicative, with a touch of hand-made personality.

Utile Display by Sibylle Hagmann is a modulated sans that pays tribute to the contrast of thick and thin. It feels right at home in titles, with tighter letterspacing and re-proportioned designs, and its timeless elegance and lively aesthetic show most in larger sizes. It pairs with Utile, the text companion, and suits identity branding, editorial, and advertising across print and screen.

👉 License Utile Display at typenetwork.com

Fillmore by Craig Eliason is a fun, expressive choice for brand identities. 🫧 Its disjointed, blobby letterforms draw on French Art Nouveau, Surrealism, and 1960s psychedelic design, from the brushed lettering of Moulin Rouge era poster artists to the abstract art of Jean Arp, Joan Miró, and Isamu Noguchi.