GenJPEG

Thx @cafromthesky for selling this to me 🙏 Love the secret palm patio surrounded by all these solar panels 🔋☀️☀️🌴

x.com/cafromthesky/s…

Happy to have minted three pieces from “systematic landscape” by @fkuhlmann on Tezos!

Florian Kuhlmann has been exploring the intersection of art, technology, and digital culture for over two decades, long before NFTs entered the picture.

His latest collection, the second chapter of Collective Binary Loops, turns the visual language of our technological world — circuit boards, chip layouts, schematics, and architectural diagrams — into generative art.

What fascinates me is the idea of revealing the hidden aesthetics of the systems that increasingly shape our lives. Technical structures become abstract compositions, stripped of their original function but retaining their visual logic.

Each piece is unique, generated from a chosen seed, with the code stored fully onchain. A collection of up to 128 works.

Love the concept, the aesthetics, and the commitment to truly onchain art. Very happy to own three of them!

a ton of shots

✖️❌✖️❌✖️

GAS WARS, AB500, 2025, @jackbutcher

Very happy to have finally added a piece from “Ode to Random” (2021) by @Yazid to my collection! 🖤

I’ve admired this early fxhash series for quite some time, and I’m thrilled to now own #126 — Style: Georg, Volatility: High.

What makes this series so fascinating to me is its connection to the pioneers of computer-generated art.

In the spirit of artists like Georg Nees, Vera Molnár, Manfred Mohr, and Michael Noll, Yazid explores the relationship between artistic intention, mathematical rules, and randomness.

Each piece emerges from an algorithm in which the underlying grid, the placement of colored shapes, the color styles, and even the transition from order to chaos are randomized.

But there’s another beautiful detail: Yazid named the different styles after artists who inspired him, paying tribute to those who helped establish randomness and computational processes as legitimate artistic tools.

He even used a pseudorandom number generator to determine the original mint price and edition size.

I love this idea of the artist creating the rules while deliberately surrendering control over the outcome. A dialogue between structure and unpredictability, between human intention and computational chance.

A wonderful homage to the history of generative art, and a piece of early fxhash history I'm delighted to own.

“Embrace the random!”

Finally, I get to touch grass! 🌱

I've been a huge admirer of @lennyjpg's work for years, and I'm incredibly happy to be part of his new project, Field.

A shared, living digital landscape where every token offers a different perspective on the same field of grass. And the coolest part? You can actually touch the grass, with your interactions visible to everyone in real time.

I'm now the proud owner of Field #7, looking down at the grass from above. 🌿

Love the idea of turning generative art into a shared, interactive experience. Beautiful work, Lenny! 🖤